BOOKS - The Female Baroque in Early Modern English Literary Culture: From Mary Sidney...
The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn (Gendering the Late Medieval and Early Modern World) - Gary Waller April 15, 2020 PDF  BOOKS
ECO~26 kg CO²

2 TON

Views
7361

Telegram
 
The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn (Gendering the Late Medieval and Early Modern World)
Author: Gary Waller
Year: April 15, 2020
Format: PDF
File size: PDF 2.7 MB
Language: English



Pay with Telegram STARS
The Female Baroque in Early Modern English Literary Culture From Mary Sidney to Aphra Behn: Gendering the Late Medieval and Early Modern World In this groundbreaking work, Dr. Jane Stubbs delves deep into the world of early modern English literature to uncover the hidden stories of women writers who shaped the Baroque era. Through a meticulous analysis of their works, she reveals how these female authors not only contributed to the development of the period's distinctive style but also challenged its dominant ideologies. By examining the intersections of gender, culture, and power in the literary output of Mary Sidney, Mary Ward, Aemilia Lanyer, and other prominent women writers of the time, Dr. Stubbs offers a fresh perspective on the evolution of English literature during the late medieval and early modern periods. The book's title, "The Female Baroque is inspired by Julia Kristeva's observation that "the secrets of Baroque civilization are female. " This insightful phrase serves as the foundation for Dr.
Женское барокко в ранней современной английской литературной культуре От Мэри Сидни до Афры Бэн: Гендеринг позднесредневекового и раннего современного мира В этой новаторской работе доктор Джейн Стаббс углубляется в мир ранней современной английской литературы, чтобы раскрыть скрытые истории женщин-писательниц, которые сформировали эпоху барокко Тщательно проанализировав свои работы, она показывает, как эти женщины-авторы не только внесли свой вклад в развитие характерного стиля периода, но и бросили вызов его доминирующим идеологиям. Исследуя взаимосвязи пола, культуры и власти в литературных произведениях Мэри Сидни, Мэри Уорд, Эмилии Ланьер и других выдающихся женщин-писателей того времени, доктор Стаббс предлагает новый взгляд на эволюцию английской литературы в поздний средневековый и ранний современный периоды. Название книги "Женское барокко" вдохновлено наблюдением Юлии Кристевой о том, что "тайны барочной цивилизации - женские. "Эта проницательная фраза служит основой для доктора
baroque féminin dans la première culture littéraire anglaise moderne De Mary dney à Afra Ben : Dans ce travail novateur, la Dre Jane Stubbs s'enfonce dans le monde de la littérature anglaise moderne précoce pour révéler les histoires cachées des écrivaines qui ont façonné l'ère baroque. Après avoir soigneusement analysé ses œuvres, elle montre comment ces écrivaines ont non seulement contribué au développement du style caractéristique de l'époque, mais aussi défié ses idéologies dominantes. En explorant les rapports entre le sexe, la culture et le pouvoir dans les œuvres littéraires de Mary dney, Mary Ward, Emilia Lanier et d'autres écrivaines éminentes de l'époque, le Dr Stubbs propose une nouvelle vision de l'évolution de la littérature anglaise à la fin de la période médiévale et au début de la période moderne. titre du livre " baroque féminin" est inspiré par l'observation de Julia Kristeva selon laquelle "les secrets de la civilisation baroque sont féminins. "Cette phrase perspicace sert de base au médecin
Barroco femenino en la cultura literaria inglesa contemporánea temprana De Mary dney a Afra Ben: Género del mundo medieval tardío y del mundo moderno temprano En esta obra pionera, la Dra. Jane Stubbs profundiza en el mundo de la literatura inglesa contemporánea temprana para revelar las historias ocultas de las escritoras que formaron la época barroca Después de analizar cuidadosamente sus obras, muestra cómo estas autoras no solo contribuyeron al desarrollo del estilo característico del período, sino que también desafiaron a sus dominantes a las ideologías. Investigando las relaciones entre género, cultura y poder en las obras literarias de Mary dney, Mary Ward, Emilia Laniere y otras eminentes escritoras de la época, el Dr. Stubbs ofrece una nueva visión de la evolución de la literatura inglesa en los últimos tiempos medievales y primeros tiempos modernos. título del libro "Barroco femenino" se inspira en la observación de Julia Kristeva de que "los misterios de la civilización barroca son femeninos. "Esta frase perspicaz sirve de base para el doctor
Barocco femminile nella prima cultura letteraria inglese moderna Da Mary dney ad Afra Ben: In questo lavoro innovativo, la dottoressa Jane Stubbs approfondisce il mondo della letteratura inglese moderna iniziale per rivelare le storie nascoste delle scrittrici che hanno formato l'era barocca Analizzando attentamente i loro lavori, mostra come queste donne autori non solo hanno contribuito allo sviluppo dello stile caratteristico del periodo, ma hanno anche sfidato le sue ideologie dominanti. Esplorando le relazioni tra sesso, cultura e potere nelle opere letterarie di Mary dney, Mary Ward, Emilia Lanier e altre grandi donne scrittrici dell'epoca, il dottor Stubbs offre una nuova visione dell'evoluzione della letteratura inglese nel tardo periodo medievale e nel primo periodo contemporaneo. Il titolo del libro «Il barocco delle donne» è ispirato all'osservazione di Yulia Kristeva secondo cui i segreti della civiltà barocca sono femminili. "Questa frase permissiva è la base per il dottore
Frauenbarock in der frühneuzeitlichen englischen Literaturkultur Von Mary dney bis Afra Behn: Gendern der spätmittelalterlichen und frühneuzeitlichen Welt In dieser bahnbrechenden Arbeit taucht Dr. Jane Stubbs tief in die Welt der frühneuzeitlichen englischen Literatur ein, um verborgene Geschichten von Schriftstellerinnen aufzudecken, die das Barockzeitalter geprägt haben. Nach sorgfältiger Analyse ihrer Werke zeigt sie, wie diese Autorinnen nicht nur zur Entwicklung des charakteristischen Stils der Zeit beigetragen, sondern auch ihre dominanten Ideologien herausgefordert haben. Durch die Untersuchung der Beziehungen zwischen Geschlecht, Kultur und Macht in den literarischen Werken von Mary dney, Mary Ward, Emilia Lanier und anderen herausragenden Schriftstellerinnen der Zeit bietet Dr. Stubbs einen neuen Blick auf die Entwicklung der englischen Literatur im späten Mittelalter und in der frühen Neuzeit. Der Titel des Buches "Female Baroque" ist inspiriert von der Beobachtung von Julia Kristeva, dass "die Geheimnisse der barocken Zivilisation weiblich sind. "Dieser aufschlussreiche Satz dient als Grundlage für den Arzt
''
Erken Modern İngiliz Edebi Kültüründe Kadın Barok Mary dney'den Aphra Ben'e: Geç Ortaçağ ve Erken Modern Dünyayı Gençleştirmek Bu çığır açan çalışmada Dr. Jane Stubbs, Barok dönemi şekillendiren kadın yazarların gizli hikayelerini ortaya çıkarmak için erken modern İngiliz edebiyatı dünyasına giriyor. Çalışmalarını dikkatlice analiz ettikten sonra, bu kadın yazarların sadece dönemin karakteristik tarzının gelişimine nasıl katkıda bulunmadığını, aynı zamanda baskın ideolojilerine nasıl meydan okuduğunu da gösteriyor. Mary dney, Mary Ward, Emilia Lanier ve zamanın diğer önde gelen kadın yazarlarının edebi eserlerinde cinsiyet, kültür ve güç ilişkilerini araştıran Dr. Stubbs, geç ortaçağ ve erken modern dönemlerde İngiliz edebiyatının evrimine yeni bir bakış açısı sunuyor. "Kadın Barok" kitabının başlığı, Yulia Kristeva'nın "barok uygarlığının sırları kadındır" gözleminden esinlenmiştir. "Bu anlayışlı ifade, Dr.
أنثى الباروك في الثقافة الأدبية الإنجليزية الحديثة المبكرة من ماري سيدني إلى أفرا بن: التمييز بين الجنسين في أواخر العصور الوسطى وأوائل العالم الحديث في هذا العمل الرائد، تتعمق الدكتورة جين ستابس في عالم الأدب الإنجليزي الحديث المبكر للكشف عن القصص الخفية للكاتبات اللواتي شكلن العصر الباروكي. بعد تحليل عملها بعناية، أظهرت كيف أن هؤلاء المؤلفات لم يساهمن فقط في تطوير الأسلوب المميز لهذه الفترة، ولكن أيضًا تحدى أيديولوجياتها المهيمنة. من خلال استكشاف علاقات الجنس والثقافة والقوة في الأعمال الأدبية لماري سيدني وماري وارد وإميليا لانيير وغيرهن من الكاتبات البارزات في ذلك الوقت، تقدم الدكتورة ستابس منظورًا جديدًا لتطور الأدب الإنجليزي في أواخر العصور الوسطى وأوائل العصر الحديث. فترات. عنوان كتاب "الباروك الأنثوي" مستوحى من ملاحظة يوليا كريستيفا أن "أسرار الحضارة الباروكية أنثى. "هذه العبارة الثاقبة هي أساس الدكتور.

You may also be interested in:

The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn (Gendering the Late Medieval and Early Modern World)
Fictions of Containment in the Spanish Female Picaresque: Architectural Space and Prostitution in the Early Modern Mediterranean (Gendering the Late Medieval and Early Modern World)
Jesus Is Female: Moravians and Radical Religion in Early America (Early American Studies)
Keywords of Identity, Race, and Human Mobility in Early Modern England (Connected Histories in the Early Modern World)
Art and Ocean Objects of Early Modern Eurasia: Shells, Bodies, and Materiality (Connected Histories in the Early Modern World)
Women at the Early Modern Swedish Court: Power, Risk, and Opportunity (Gendering the Late Medieval and Early Modern World)
Bridging Traditions: Alchemy, Chemistry, and Paracelsian Practices in the Early Modern Era (Early Modern Studies)
Christian Identity, Piety, and Politics in Early Modern England (ReFormations: Medieval and Early Modern)
Dynasties and State Formation in Early Modern Europe (Early Modern Court Studies)
Captives of Conquest: Slavery in the Early Modern Spanish Caribbean (The Early Modern Americas)
The Literary Culture of Plague in Early Modern England (Early Modern Literature in History)
Early Modern German Shakespeare: Hamlet and Romeo and Juliet: Der Bestrafte Brudermord and Romio und Julieta in Translation (Arden Early Modern Drama)
Chivalry, Reading, and Women|s Culture in Early Modern Spain: From Amadis de Gaula to Don Quixote (Gendering the Late Medieval and Early Modern World, 3)
Le Pere Du Siecle: The Early Modern Reception of Jean Gerson (1363-1429): Theological Authority Between Middle Ages and Early Modern Era (Lectio: Studies in the Transmission of Texts and Ideas, 14)
Bible Readers and Lay Writers in Early Modern England: Gender and Self-Definition in an Emergent Writing Culture (Material Readings in Early Modern Culture)
Dynasty in Motion: Wedding Journeys in Late Medieval and Early Modern Europe (Themes in Medieval and Early Modern History)
Picturing the Scientific Revolution: Title Engravings in Early Modern Scientific Publications (Early Modern Catholicism and the Visual Arts)
Guardianship, Gender and the Nobility in Early Modern Spain (Women and Gender in the Early Modern World) by Grace E. Coolidge (2011-01-01)
Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J.S. Bach
Ethno-Baroque: Materiality, Aesthetics and Conflict in Modern-Day Macedonia
Gendered Temporalities in the Early Modern World (Gendering the Late Medieval and Early Modern World, 1)
The Bond of Empathy in Medieval and Early Modern Literature (Research in Medieval and Early Modern Culture, 35)
Political Theology in Medieval and Early Modern Europe: Discourses, Rites, and Representations (Medieval and Early Modern Political Theology) (Medieval and Early Modern Political Theology, 1)
Connected Mobilities in the Early Modern World: The Practice and Experience of Movement (Connected Histories in the Early Modern World)
‘Fama| and her Sisters: Gossip and Rumour in Early Modern Europe (Early European Research) (Early European Research, 7)
Writing Royal Entries in Early Modern Europe (Early European Research)
Early Jesuits and the Rhetorical Tradition (Routledge Research in Early Modern History)
Diseases of the Imagination and Imaginary Disease in the Early Modern Period (EARLY EUROPEAN RESEARCH)
Polychrome Art in the Early Modern World 1200–1800 (Visual Culture in Early Modernity)
Identities in Early Modern English Writing: Religion, Gender, Nation (Early European Research)
Polychrome Art in the Early Modern World 1200–1800 (Visual Culture in Early Modernity)
Women and the Literary World in Early Modern China, 1580-1700 (Routledge Studies in the Early History of Asia)
Female Sexuality in the Early Medieval Islamic World: Gender and Sex in Arabic Literature (Early and Medieval Islamic World)
Early Modern Ecologies: Beyond English Ecocriticism (Environmental Humanities in Pre-modern Cultures)
Anne Bulkeley and her Book: Fashioning Female Piety in Early Tudor England (Texts and Transitions)
Love Between Women: Early Christian Responses to Female Homoeroticism (The Chicago Series on Sexuality, History, and Society)
Gender and Succession in Medieval and Early Modern Islam: Bilateral Descent and the Legacy of Fatima (Early and Medieval Islamic World)
Becoming Modern Women: Love and Female Identity in Prewar Japanese Literature and Culture
Encountering Water in Early Modern Europe and Beyond: Redefining the Universe through Natural Philosophy, Religious Reformations, and Sea Voyaging (Environmental Humanities in Pre-modern Cultures)
Embracing the Firebird: Yosano Akiko and the Birth of the Female Voice in Modern Japanese Poetry