BOOKS - Sounding the Cape Music, Identity and Politics in South Africa
Sounding the Cape Music, Identity and Politics in South Africa - Denis-Constant Martin January 1, 2013 PDF  BOOKS
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Sounding the Cape Music, Identity and Politics in South Africa
Author: Denis-Constant Martin
Year: January 1, 2013
Format: PDF
File size: PDF 11 MB
Language: English



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Book Description: In Sounding the Cape, Denis Constant Martin recompositions and examines the history of music in Cape Town using theoretical tools borrowed from the latest identity configuration studies. He demonstrates that musical creation in the Mother City and in South Africa has always been nurtured by contact, exchange, and innovation, regardless of the efforts of racist powers to separate and divide people based on their origin or social status. The book explores how music has been used as a tool for identity formation and political expression, highlighting the complex interplay between music, culture, and politics in shaping the city's sonic landscape. The Plot: The book begins by tracing the evolution of music in Cape Town from its origins to the present day, highlighting the diverse influences that have shaped the city's soundtrack. From the traditional Xhosa and KhoiKhoi rhythms to the colonial-era ballads and hymns, to the jazz, blues, and rock 'n' roll of the post-apartheid era, Martin shows how music has been a unifying force throughout the city's history.
In Sounding the Cape, Denis Constant Martin recomposies and examines the history of music in Cape Town using theoretical tools borrowed from the latest identity configuration studies. Он демонстрирует, что музыкальное творчество в Материнском городе и в Южной Африке всегда воспитывалось контактами, обменами и инновациями, независимо от усилий расистских держав разделить и разделить людей на основе их происхождения или социального статуса. Книга исследует, как музыка использовалась в качестве инструмента для формирования идентичности и политического выражения, подчеркивая сложное взаимодействие между музыкой, культурой и политикой в формировании звукового ландшафта города. Книга начинается с отслеживания эволюции музыки в Кейптауне от его истоков до наших дней, подчеркивая различные влияния, которые сформировали саундтрек города. От традиционных ритмов Xhosa и KhoiKhoi до баллад и гимнов колониальной эпохи, джаза, блюза и рок-н-ролла эпохи пост-апартеида, Мартин показывает, как музыка была объединяющей силой на протяжении всей истории города.
In Sounding the Cape, Denis Constant Martin recomposies and examines the history of music in Cape Town using theoretical tools borrowed from the latest identity configuration studies. Il démontre que la création musicale dans la ville mère et en Afrique du Sud a toujours été alimentée par des contacts, des échanges et des innovations, quels que soient les efforts des puissances racistes pour diviser et diviser les gens en fonction de leur origine ou de leur statut social. livre explore comment la musique a été utilisée comme outil pour façonner l'identité et l'expression politique, soulignant l'interaction complexe entre la musique, la culture et la politique dans la formation du paysage sonore de la ville. livre commence par suivre l'évolution de la musique au Cap depuis ses origines jusqu'à nos jours, en soulignant les différentes influences qui ont façonné la bande sonore de la ville. Des rythmes traditionnels de Xhosa et KhoiKhoi aux ballades et hymnes de l'époque coloniale, au jazz, au blues et au rock de l'ère post-apartheid, Martin montre à quel point la musique a été une force unificatrice tout au long de l'histoire de la ville.
In Sounding the Cape, Denis Constant Martin recomposies and examines the history of music in Cape Town using theoretical tools borrowed from the latest identity configuration studies. Demuestra que la creación musical en la Ciudad Madre y en Sudáfrica siempre se ha nutrido de contactos, intercambios e innovaciones, independientemente de los esfuerzos de las potencias racistas por dividir y dividir a las personas en función de su origen o condición social. libro explora cómo se ha utilizado la música como instrumento para la formación de la identidad y la expresión política, destacando la compleja interacción entre música, cultura y política en la conformación del paisaje sonoro de la ciudad. libro comienza rastreando la evolución de la música en Ciudad del Cabo desde sus orígenes hasta la actualidad, destacando las diferentes influencias que han formado la banda sonora de la ciudad. Desde los ritmos tradicionales de Xhosa y KhoiKhoi hasta las baladas e himnos de la época colonial, el jazz, el blues y el rock and roll de la era post-apartheid, Martin muestra cómo la música ha sido una fuerza unificadora a lo largo de la historia de la ciudad.
In Sounding the Cape, Denis Constant Martin recomposies and examines the history of music in Cape Town using theoretical tools borrowed from the latest identity configuration studies. Dimostra che la creatività musicale nella Città Madre e in Sud Africa è sempre stata cresciuta dal contatto, dallo scambio e dall'innovazione, indipendentemente dagli sforzi delle potenze razziste di dividere e dividere le persone sulla base della loro origine o status sociale. Il libro indaga come la musica sia stata usata come strumento per creare identità e espressione politica, sottolineando la complessa interazione tra musica, cultura e politica nella formazione del panorama sonoro della città. Il libro inizia tracciando l'evoluzione della musica a Cape Town dalle sue origini a oggi, sottolineando le diverse influenze che hanno formato la colonna sonora della città. Dai ritmi tradizionali di Xhosa e KhoiKhoi ai balli e inni dell'era coloniale, jazz, blues e rock'n'roll dell'epoca post-apartheid, Martin mostra come la musica sia stata una forza unita nel corso della storia della città.
In Sounding the Cape, Denis Constant Martin recomposies and examines the history of music in Cape Town using theoretical tools borrowed from the latest identity configuration studies. Es zeigt, dass das musikalische Schaffen in der Mutterstadt und in Südafrika immer durch Kontakte, Austausch und Innovation gefördert wurde, unabhängig von den Bemühungen rassistischer Mächte, Menschen aufgrund ihrer Herkunft oder ihres sozialen Status zu spalten und zu spalten. Das Buch untersucht, wie Musik als Instrument zur Identitätsbildung und zum politischen Ausdruck eingesetzt wurde, und hebt das komplexe Zusammenspiel von Musik, Kultur und Politik bei der Gestaltung der Klanglandschaft einer Stadt hervor. Das Buch beginnt damit, die Entwicklung der Musik in Kapstadt von ihren Ursprüngen bis zur Gegenwart zu verfolgen und die verschiedenen Einflüsse hervorzuheben, die den Soundtrack der Stadt geprägt haben. Von den traditionellen Rhythmen von Xhosa und KhoiKhoi über Balladen und Hymnen aus der Kolonialzeit bis hin zu Jazz, Blues und Rock 'n'Roll aus der Zeit nach der Apartheid zeigt Martin, wie Musik in der gesamten Geschichte der Stadt eine verbindende Kraft war.
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In Sounding the Cape, Denis Constant Martin, en son kimlik yapılandırma çalışmalarından ödünç alınan teorik araçları kullanarak Cape Town'daki müzik tarihini yeniden derliyor ve inceliyor. Mother City ve Güney Afrika'daki müzikal yaratıcılığın, ırkçı güçlerin insanları geçmişlerine veya sosyal statülerine göre bölme ve bölme çabalarına bakılmaksızın, her zaman temas, değişim ve yenilik ile beslendiğini göstermektedir. Kitap, müziğin kimlik ve politik ifadeyi şekillendirmek için bir araç olarak nasıl kullanıldığını araştırıyor ve kentin ses ortamını şekillendirmede müzik, kültür ve politika arasındaki karmaşık etkileşimi vurguluyor. Kitap, Cape Town'daki müziğin evrimini kökenlerinden günümüze kadar izleyerek başlar ve şehrin müziğini şekillendiren çeşitli etkileri vurgular. Xhosa ve KhoiKhoi'nin geleneksel ritimlerinden sömürge dönemi baladlarına ve marşlarına, caz, blues ve apartheid sonrası rock and roll'a kadar Martin, müziğin şehrin tarihi boyunca nasıl birleştirici bir güç olduğunu gösteriyor.
في nging the Cape، يعيد Denis Constant Martin تشكيل وفحص تاريخ الموسيقى في كيب تاون باستخدام أدوات نظرية مستعارة من أحدث دراسات تكوين الهوية. يوضح أن الإبداع الموسيقي في Mother City وجنوب إفريقيا كان دائمًا يتم رعايته من خلال الاتصال والتبادل والابتكار، بغض النظر عن جهود القوى العنصرية لتقسيم الناس وتقسيمهم على أساس خلفيتهم أو وضعهم الاجتماعي. يستكشف الكتاب كيف تم استخدام الموسيقى كأداة لتشكيل الهوية والتعبير السياسي، مما يسلط الضوء على التفاعل المعقد بين الموسيقى والثقافة والسياسة في تشكيل المشهد الصوتي للمدينة. يبدأ الكتاب بتتبع تطور الموسيقى في كيب تاون من أصولها حتى يومنا هذا، مع تسليط الضوء على التأثيرات المختلفة التي شكلت الموسيقى التصويرية للمدينة. من الإيقاعات التقليدية لـ Xhosa و KhoiKhoi إلى القصص والأناشيد التي تعود إلى الحقبة الاستعمارية والجاز والبلوز وموسيقى الروك أند رول بعد الفصل العنصري، يُظهر مارتن كيف كانت الموسيقى قوة موحدة طوال تاريخ المدينة.

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