BOOKS - Performing Grief: Bridal Laments in Rural China
Performing Grief: Bridal Laments in Rural China - Anne E. McLaren September 1, 2008 PDF  BOOKS
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Performing Grief: Bridal Laments in Rural China
Author: Anne E. McLaren
Year: September 1, 2008
Format: PDF
File size: PDF 4.2 MB
Language: English



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Performing Grief: Bridal Laments in Rural China In her groundbreaking book, Performing Grief: Bridal Laments in Rural China, Dr. Xiaohui Amy Li examines the intricate and nuanced world of Chinese bridal laments, a ritual and performative art practiced by women in premodern times that allowed them to voice their grievances publicly. Through a unique blend of methodologies from various disciplines, including performance arts and folk literatures, Dr. Li sheds light on the ability of these laments to provide insights into how illiterate Chinese women understood kinship and social hierarchies in their region, the marriage market, and the value of their labor in the commodified economy of the lower Yangzi delta. The book is set in the Nanhui region, where Dr. Li conducted extensive fieldwork, providing both historical and ethnographic context for her research. Unlike previous studies, Dr. Li covers both Han and non-Han groups, contributing to studies of ethnicity and cultural accommodation in China.
Performing Grief: Bridal Laments in Rural China В своей новаторской книге «Performing Grief: Bridal Laments in Rural China» д-р Сяохуэй Эми Ли исследует запутанный и нюансированный мир китайских свадебных плачей, ритуальное и перформативное искусство, практикуемое женщинами в премодерные времена, которое позволило им публично выразить свои обиды. Благодаря уникальному сочетанию методологий из различных дисциплин, включая исполнительское искусство и народную литературу, д-р Ли проливает свет на способность этих сетований дать представление о том, как неграмотные китайские женщины понимают родство и социальные иерархии в своем регионе, рынок брака и ценность их труда в коммодифицированной экономике нижней дельты Янцзы. Действие книги происходит в регионе Наньхой, где доктор Ли провела обширную полевую работу, предоставив как исторический, так и этнографический контекст для своих исследований. В отличие от предыдущих исследований, доктор Ли охватывает как ханьские, так и неханьские группы, внося вклад в исследования этнической принадлежности и культурного размещения в Китае.
Performing Grief : Bridal Laments in Rural China Dans son livre pionnier « Performing Grief : Bridal Laments in Rural China », le Dr Xiaohway Amy Li explore le monde confus et nuancé des plâtres de mariage chinois, rituel et rituel l'art performatif pratiqué par les femmes à l'époque prémoderne, qui leur a permis d'exprimer publiquement leurs griefs. Grâce à un mélange unique de méthodologies provenant de différentes disciplines, y compris les arts de la scène et la littérature populaire, le Dr Li met en lumière la capacité de ces réseaux à donner une idée de la façon dont les femmes chinoises analphabètes comprennent la filiation et les hiérarchies sociales dans leur région, le marché du mariage et la valeur de leur travail dans l'économie commerciale du delta inférieur du Yangtze. L'action du livre se déroule dans la région de Nanhoi, où le Dr e a mené un vaste travail de terrain, fournissant à la fois un contexte historique et ethnographique pour ses recherches. Contrairement aux études précédentes, le Dr Li couvre à la fois les groupes Han et non Han, contribuant à la recherche sur l'ethnicité et le logement culturel en Chine.
Performing Grief: Bridal Laments in Rural China En su libro pionero Performing Grief: Bridal Laments in Rural China, el Dr. Xiaohway Amy e explora lo confuso y el matizado mundo del llanto nupcial chino, un arte ritual y performativo practicado por las mujeres en tiempos premodernos que les permitió expresar públicamente sus agravios. A través de una combinación única de metodologías de diversas disciplinas, incluyendo las artes escénicas y la literatura popular, el Dr. Li arroja luz sobre la capacidad de estas redes para dar una idea de cómo las mujeres chinas analfabetas entienden el parentesco y las jerarquías sociales en su región, el mercado del matrimonio y el valor de su trabajo en la economía mercantilizada del bajo delta del Yangtze. libro tiene lugar en la región de Nanhui, donde el Dr. e realizó un extenso trabajo de campo, proporcionando un contexto histórico y etnográfico para sus investigaciones. A diferencia de estudios anteriores, el Dr. Li abarca tanto a los grupos Han como a los No Han, contribuyendo a la investigación sobre la etnia y la ubicación cultural en China.
Performing Grief: Bridal Laments in Rurale China Nel suo libro innovativo «Performing Grief: Bridal Laments in Rurale China», la dottoressa Xiaohway Amy Li esplora il mondo confuso e sfumato delle lacrime nuziali cinesi, le arti rituali e performative praticate dalle donne in questo mondo I tempi primari che hanno permesso loro di esprimere pubblicamente i loro rancori. Grazie a una combinazione unica di metodologie provenienti da diverse discipline, tra cui l'arte performativa e la letteratura popolare, il dottor Li mette in luce la capacità di questi studi di dare un'idea di come le donne cinesi analfabete comprendano la genitorialità e le gerarchie sociali nella loro regione, il mercato del matrimonio e il valore del loro lavoro nell'economia commodizzata del delta inferiore dello Yangtze. Il libro è ambientato nella regione di Nenhoi, dove la dottoressa e ha svolto un ampio lavoro sul campo, fornendo sia un contesto storico che etnografico per la sua ricerca. A differenza di studi precedenti, il dottor Li copre sia i gruppi Khan che quelli non Hang, contribuendo alla ricerca sull'etnia e l'alloggio culturale in Cina.
Performing Grief: Bridal Laments in Rural China In ihrem bahnbrechenden Buch „Performing Grief: Bridal Laments in Rural China“ untersucht Dr. Xiaohui Amy Li die verworrene und nuancierte Welt der chinesischen Hochzeitsschreie, der rituellen und performativen Kunst, die von Frauen in China praktiziert wird vormodernen Zeiten, die es ihnen ermöglichten, ihre Ressentiments öffentlich zu äußern. Mit einer einzigartigen Kombination von Methoden aus verschiedenen Disziplinen, einschließlich darstellender Kunst und Volksliteratur, beleuchtet Dr. Li die Fähigkeit dieser Klagen, Einblicke in die Art und Weise zu geben, wie Analphabeten chinesische Frauen die Verwandtschaft und sozialen Hierarchien in ihrer Region, den Heiratsmarkt und den Wert ihrer Arbeit in der kommodifizierten Wirtschaft des unteren Jangtse-Deltas verstehen. Das Buch spielt in der Region Nanhui, wo Dr. Li umfangreiche Feldarbeit geleistet und sowohl den historischen als auch den ethnografischen Kontext für ihre Forschung bereitgestellt hat. Im Gegensatz zu früheren Studien deckt Dr. Li sowohl Han-Han als auch Nicht-Han-Gruppen ab und trägt zur Erforschung der ethnischen Zugehörigkeit und der kulturellen Unterbringung in China bei.
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Kederin Gerçekleştirilmesi: Kırsal Çin'de Gelin Ağıtları Çığır açan "Kederin Gerçekleştirilmesi: Kırsal Çin'de Gelin Ağıtları'adlı kitabında Dr. Xiaohui Amy Li, Çin düğün çığlıklarının karmaşık ve nüanslı dünyasını, modern zamanlardaki kadınların mağduriyetlerini kamuya açık bir şekilde ifade etmelerine izin veren ritüel ve performatif sanatı araştırıyor. Çeşitli disiplinlerden gelen metodolojilerin benzersiz bir kombinasyonu sayesinde, Sahne sanatları ve halk edebiyatı da dahil olmak üzere, Dr. Li, bu ağıtların, okuma yazma bilmeyen Çinli kadınların bölgelerindeki akrabalık ve sosyal hiyerarşileri nasıl anladıklarına dair içgörü sağlama yeteneğine ışık tutuyor. Evlilik piyasası ve aşağı Yangtze Deltası'nın metalaştırılmış ekonomisindeki emeklerinin değeri. Kitap, Dr. Li'nin araştırmasına hem tarihsel hem de etnografik bağlam sağlayan kapsamlı bir saha çalışması yürüttüğü Nanhui bölgesinde yer almaktadır. Önceki çalışmaların aksine, Dr. Li hem Han hem de Han olmayan grupları kapsamakta ve Çin'deki etnik köken ve kültürel yerleşim araştırmalarına katkıda bulunmaktadır.
أداء الحزن: عذاب الزفاف في ريف الصين في كتابها الرائد «أداء الحزن: رثاء الزفاف في ريف الصين»، تستكشف الدكتورة شياوهوي إيمي لي العالم المعقد والدقيق لصرخات الزفاف الصينية، والفن الطقسي والأدائي الذي تمارسه النساء في قبل الحداثة التي سمحت لهم بالتعبير علنا عن شكاواهم. من خلال مجموعة فريدة من المنهجيات من مجموعة متنوعة من التخصصات، بما في ذلك الفنون المسرحية والأدب الشعبي، يلقي الدكتور لي الضوء على قدرة هذه الرثاء على تقديم رؤى حول كيفية فهم النساء الصينيات الأميات للقرابة والتسلسلات الهرمية الاجتماعية في منطقتهن، سوق الزواج، وقيمة عملهم في الاقتصاد السلعي في دلتا اليانغتسي السفلى. تدور أحداث الكتاب في منطقة نانهوي، حيث أجرت الدكتورة لي عملاً ميدانيًا مكثفًا، مما يوفر السياق التاريخي والإثنوغرافي لأبحاثها. على عكس الدراسات السابقة، يغطي الدكتور لي مجموعات الهان وغير الهان، ويساهم في البحث عن العرق والتنسيب الثقافي في الصين.

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