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Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World (The Arts and Intellectual Life in Modern America) - Daniel Horowitz March 5, 2012 PDF  BOOKS
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Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World (The Arts and Intellectual Life in Modern America)
Author: Daniel Horowitz
Year: March 5, 2012
Format: PDF
File size: PDF 3.7 MB
Language: English



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Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World The book "Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World" offers a unique perspective on the evolution of modern knowledge and its impact on human society. The author, Daniel Horowitz, delves into the transformation of American intellectuals' views on popular culture over the past century, exploring how their attitudes shifted from condemnation to critical appreciation and critique. This transnational intellectual history examines the works of influential thinkers such as Jürgen Habermas, Roland Barthes, Umberto Eco, Walter Benjamin, C. L. R. James, David Riesman, and Marshall McLuhan, among others. In the early 1950s, Western Europe saw the emergence of new perspectives that challenged the dominant thinking about popular culture. Intellectuals began to question the moralistic approaches and cultural hierarchies of the past, instead focusing on the symbolic processes of communication and the rich inventiveness of popular culture. This shift is traced through a series of biographies, with a focus on writers and readers from the United States. The book begins by discussing the rejection of serious discussion and analysis of popular culture by American intellectuals for over 150 years.
Потребление удовольствий: Интеллектуалы и популярная культура в послевоенном мире Книга «Потребление удовольствий: Интеллектуалы и популярная культура в послевоенном мире» предлагает уникальный взгляд на эволюцию современных знаний и их влияние на человеческое общество. Автор, Дэниел Хоровиц, углубляется в трансформацию взглядов американских интеллектуалов на массовую культуру за последнее столетие, исследуя, как их установки сместились от осуждения к критической оценке и критике. Эта транснациональная интеллектуальная история рассматривает работы влиятельных мыслителей, таких как Юрген Хабермас, Роланд Барт, Умберто Эко, Вальтер Бенджамин, С. Л. Р. Джеймс, Дэвид Рисман и Маршалл Маклюэн, среди других. В начале 1950-х годов в Западной Европе появились новые перспективы, которые бросили вызов доминирующему мышлению о массовой культуре. Интеллектуалы начали подвергать сомнению моралистические подходы и культурные иерархии прошлого, вместо этого сосредоточившись на символических процессах коммуникации и богатой изобретательности массовой культуры. Этот сдвиг прослеживается через серию биографий, с акцентом на писателей и читателей из США. Книга начинается с обсуждения отказа от серьезного обсуждения и анализа массовой культуры американскими интеллектуалами на протяжении более 150 лет.
Consommation de plaisirs : Intellectuels et culture populaire dans le monde d'après-guerre livre Consommation de plaisirs : Intellectuels et culture populaire dans le monde d'après-guerre offre une vision unique de l'évolution des connaissances modernes et de leur impact sur la société humaine. L'auteur, Daniel Horowitz, s'est approfondi dans la transformation des opinions des intellectuels américains sur la culture de masse au cours du siècle dernier, explorant comment leurs attitudes sont passées de la condamnation à l'évaluation critique et à la critique. Cette histoire intellectuelle transnationale examine le travail de penseurs influents comme Jürgen Habermas, Roland Barth, Umberto Eco, Walter Benjamin, S. L. R. James, David Riesman et Marshall McLuhan, entre autres. Au début des années 1950, de nouvelles perspectives sont apparues en Europe occidentale qui ont remis en question la pensée dominante sur la culture populaire. s intellectuels ont commencé à remettre en question les approches moralistes et les hiérarchies culturelles du passé, en se concentrant plutôt sur les processus symboliques de communication et la riche ingéniosité de la culture populaire. Ce changement est illustré par une série de biographies, en mettant l'accent sur les écrivains et les lecteurs des États-Unis. livre commence par discuter du refus de discuter et d'analyser sérieusement la culture de masse par les intellectuels américains depuis plus de 150 ans.
Consumo de placeres: Intelectuales y cultura popular en el mundo de posguerra libro Consumo de placeres: intelectuales y cultura popular en el mundo de posguerra ofrece una visión única de la evolución del conocimiento moderno y su impacto en la sociedad humana. autor, Daniel Horowitz, profundiza en la transformación de las opiniones de los intelectuales estadounidenses sobre la cultura de masas a lo largo del último siglo, investigando cómo sus actitudes han pasado de la condena a la evaluación crítica y la crítica. Esta historia intelectual transnacional repasa el trabajo de influyentes pensadores como Jürgen Habermas, Roland Barthes, Umberto Eco, Walter Benjamin, S. L. R. James, David Risman y Marshall McLuhan, entre otros. A principios de la década de 1950 surgieron nuevas perspectivas en occidental que desafiaron el pensamiento dominante sobre la cultura popular. intelectuales comenzaron a cuestionar los planteamientos moralistas y las jerarquías culturales del pasado, centrándose en cambio en los procesos simbólicos de comunicación y el rico ingenio de la cultura popular. Este cambio es rastreable a través de una serie de biografías, con énfasis en escritores y lectores de Estados Unidos. libro comienza discutiendo el rechazo a la discusión y análisis serios de la cultura popular por parte de los intelectuales estadounidenses durante más de 150 .
Consumo de prazeres: Intelectuais e cultura popular no mundo pós-guerra Livro «Consumo de prazer: Intelectuais e Cultura Popular no Mundo Pós-Guerra» oferece uma visão única da evolução do conhecimento moderno e seus efeitos na sociedade humana. O autor, Daniel Horowitz, aprofundou-se na transformação da visão dos intelectuais americanos sobre a cultura de massa no último século, explorando como suas instalações mudaram de condenação para crítica e crítica. Esta história intelectual transnacional aborda trabalhos de pensadores poderosos como Jürgen Habermas, Roland Barth, Umberto Eco, Walter Benjamin, S. L. R. James, David Risman e Marshall McLuan, entre outros. No início dos anos 50, surgiram novas perspectivas na Ocidental que desafiaram o pensamento dominante sobre a cultura de massa. Os intelectuais começaram a questionar as abordagens moralizadoras e as hierarquias culturais do passado, em vez de se concentrarem nos processos simbólicos de comunicação e na rica engenhosidade da cultura de massa. Esta mudança é observada através de uma série de biografias, com foco em escritores e leitores dos EUA. O livro começa com um debate sobre o abandono da discussão e análise sérias da cultura de massa por intelectuais americanos por mais de 150 anos.
Genusskonsum: Intellektuelle und Populärkultur in der Nachkriegswelt Das Buch „Genusskonsum: Intellektuelle und Populärkultur in der Nachkriegswelt“ bietet einen einzigartigen Einblick in die Entwicklung des modernen Wissens und seine Auswirkungen auf die menschliche Gesellschaft. Der Autor, Daniel Horowitz, geht tief in die Transformation der Ansichten amerikanischer Intellektueller über die Massenkultur im letzten Jahrhundert ein und untersucht, wie sich ihre Einstellungen von Verurteilung zu kritischer Bewertung und Kritik verschoben haben. Diese transnationale intellektuelle Geschichte untersucht die Arbeit einflussreicher Denker wie Jürgen Habermas, Roland Barth, Umberto Eco, Walter Benjamin, S. L. R. James, David Riesman und Marshall McLuhan, unter anderem. In den frühen 1950er Jahren entstanden in Westeuropa neue Perspektiven, die das vorherrschende Denken über die Massenkultur in Frage stellten. Intellektuelle begannen, die moralistischen Ansätze und kulturellen Hierarchien der Vergangenheit in Frage zu stellen und konzentrierten sich stattdessen auf symbolische Kommunikationsprozesse und den reichen Einfallsreichtum der Massenkultur. Diese Verschiebung kann durch eine Reihe von Biografien verfolgt werden, wobei der Schwerpunkt auf Schriftstellern und sern aus den USA liegt. Das Buch beginnt mit einer Diskussion über die Ablehnung einer ernsthaften Diskussion und Analyse der Populärkultur durch amerikanische Intellektuelle seit mehr als 150 Jahren.
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Zevk Tüketimi: Savaş Sonrası Dünyada Entelektüeller ve Popüler Kültür "Zevk Tüketimi: Savaş Sonrası Dünyada Entelektüeller ve Popüler Kültür" kitabı, modern bilginin evrimi ve insan toplumu üzerindeki etkisi üzerine eşsiz bir bakış açısı sunuyor. Yazar Daniel Horowitz, geçtiğimiz yüzyılda Amerikan entelektüellerinin popüler kültür hakkındaki görüşlerinin dönüşümünü araştırıyor ve tutumlarının kınamadan eleştirel takdir ve eleştiriye nasıl geçtiğini inceliyor. Bu ulusötesi entelektüel tarih, diğerlerinin yanı sıra Jürgen Habermas, Roland Barth, Humberto Eco, Walter Benjamin, S. L. R. James, David Riesman ve Marshall McLuhan gibi etkili düşünürlerin çalışmalarını inceler. 1950'lerin başında, Batı Avrupa'da popüler kültür hakkındaki baskın düşünceye meydan okuyan yeni perspektifler ortaya çıktı. Entelektüeller geçmişin ahlaki yaklaşımlarını ve kültürel hiyerarşilerini sorgulamaya başladılar, bunun yerine iletişimin sembolik süreçlerine ve popüler kültürün zengin yaratıcılığına odaklandılar. Bu değişim, ABD'li yazarlara ve okuyuculara odaklanan bir dizi biyografi aracılığıyla izlenebilir. Kitap, 150 yılı aşkın bir süredir Amerikan entelektüelleri tarafından popüler kültürün ciddi tartışma ve analizinin reddedilmesini tartışarak başlıyor.
استهلاك المتعة: المثقفون والثقافة الشعبية في عالم ما بعد الحرب يقدم كتاب «استهلاك المتعة: المثقفون والثقافة الشعبية في عالم ما بعد الحرب» منظورًا فريدًا لتطور المعرفة الحديثة وتأثيرها على المجتمع البشري. يتعمق المؤلف، دانيال هورويتز، في تحويل آراء المثقفين الأمريكيين "للثقافة الشعبية على مدار القرن الماضي، ويدرس كيف تحولت مواقفهم من الإدانة إلى التقدير النقدي والنقد. يدرس هذا التاريخ الفكري عبر الوطني أعمال المفكرين المؤثرين مثل يورغن هابرماس، ورولاند بارث، وهامبرتو إيكو، ووالتر بنيامين، وس. ل. ر. جيمس، وديفيد ريسمان، ومارشال ماكلوهان، من بين آخرين. في أوائل الخمسينيات من القرن الماضي، ظهرت وجهات نظر جديدة في أوروبا الغربية تحدت التفكير السائد حول الثقافة الشعبية. بدأ المثقفون في التشكيك في النهج الأخلاقية والتسلسل الهرمي الثقافي في الماضي، وركزوا بدلاً من ذلك على العمليات الرمزية للتواصل والبراعة الغنية للثقافة الشعبية. يمكن تتبع هذا التحول من خلال سلسلة من السير الذاتية، مع التركيز على الكتاب والقراء الأمريكيين. يبدأ الكتاب بمناقشة رفض المثقفين الأمريكيين للمناقشة الجادة وتحليل الثقافة الشعبية لأكثر من 150 عامًا.

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