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The Woman Suffrage Statue: A History of Adelaide Johnson
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The Woman Suffrage Statue: A History of Adelaide Johnson's Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton and Susan B. Anthony at the United States Capitol
Author: Sandra Weber
Year: May 3, 2016
Format: PDF
File size: PDF 14 MB
Language: English



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The Woman Suffrage Statue: A History of Adelaide Johnson's Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony at the United States Capitol The Woman Suffrage Statue, located in the Rotunda of the United States Capitol, is a neoclassical masterpiece that has been a subject of controversy and celebration for over seven decades. The statue, which memorializes three pioneering feminists - Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony - has a rich history that spans over a century, from its conception to its placement in the Rotunda. This article will delve into the evolution of technology and the need to develop a personal paradigm for understanding the technological process of developing modern knowledge, as well as the significance of the statue and its impact on society. The Conception of the Statue The idea of the statue was first proposed by Adelaide Johnson, a renowned sculptor, in 1915. Johnson, who was an ardent supporter of women's suffrage, wanted to create a monument that would honor the contributions of these three remarkable women to the fight for women's rights.
The Woman Suffrage Statue: A History of Adelaide Johnson's Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony at the United States Capitol The Woman Suffrage Statue, located in the Rotunda of the United Statates Capitol, is a neoclassical masterpecute это было предметом споров и торжеств на протяжении более семи десятилетий. Статуя, увековечивающая память трех феминисток-первопроходцев - Лукреции Мотт, Элизабет Кэди Стэнтон и Сьюзен Б. Энтони - имеет богатую историю, которая охватывает более века, от ее концепции до размещения в Ротонде. Эта статья углубится в эволюцию технологий и необходимость выработки личностной парадигмы понимания технологического процесса развития современных знаний, а также значимости статуи и ее влияния на общество. Идея статуи была впервые предложена Аделаидой Джонсон, известным скульптором, в 1915 году. Джонсон, которая была ярой сторонницей женского избирательного права, хотела создать памятник, который бы почтил вклад этих трех замечательных женщин в борьбу за права женщин.
The Woman Suffrage State : A History of Adelaide Johnson Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony at the United States Capty itol The Woman Suffrage State, localisé dans la Rotunda of the United States Capitol, is a neoclassical masterpecute cela fait plus de sept décennies que cela fait l'objet de controverses et de célébrations. La statue qui perpétue la mémoire de trois pionnières féministes - Lucrezia Mott, Elizabeth Cady Stanton et Susan B. Anthony - a une histoire riche qui couvre plus d'un siècle, de son concept à son hébergement à Rotonda. Cet article approfondira l'évolution de la technologie et la nécessité d'élaborer un paradigme personnel pour comprendre le processus technologique du développement des connaissances modernes, ainsi que la signification de la statue et son impact sur la société. L'idée de la statue a été proposée pour la première fois par Adelaide Johnson, une sculptrice célèbre, en 1915. Johnson, qui était un ardent partisan du suffrage féminin, voulait créer un monument qui honorerait la contribution de ces trois femmes remarquables à la lutte pour les droits des femmes.
The Woman Suffrage Statue: A History of Adelaide Johnson's Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony at the the Estados Unidos Capitol The Woman Suffrage Statue, localizado en la Rotunda de los Estados Unidos Capitol, es un masterpecute neoclásico ha sido objeto de controversia y celebraciones durante más de siete décadas. La estatua, que inmortaliza la memoria de tres feministas pioneras - Lucrecia Mott, Elizabeth Cady Stanton y Susan B. Anthony -, tiene una rica historia que abarca más de un siglo, desde su concepción hasta su colocación en Rotonda. Este artículo profundizará en la evolución de la tecnología y en la necesidad de generar un paradigma personal para entender el proceso tecnológico del desarrollo del conocimiento moderno, así como la importancia de la estatua y su impacto en la sociedad. La idea de la estatua fue propuesta por primera vez por Adelaida Johnson, un famoso escultor, en 1915. Johnson, que era una ardiente defensora del sufragio femenino, quería crear un monumento que honrara la contribución de estas tres mujeres maravillosas a la lucha por los derechos de las mujeres.
The Woman Sussrage Status: A History of Adelaide Johnson's Photo Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony at the United States Capitol The Woman Sussrage Statue, located in the Rotunda of the United States Capitol, is a neoclassical masterpecute foi alvo de controvérsias e celebrações por mais de sete décadas. A estátua que perpetua a memória de três mulheres pioneiras - Lucrezia Mott, Elizabeth Cady Stanton e Susan B. Anthony - tem uma história rica que abrange mais de um século, desde o seu conceito até a sua instalação em Rotonda. Este artigo vai se aprofundar na evolução da tecnologia e na necessidade de criar um paradigma pessoal para compreender o processo tecnológico do desenvolvimento do conhecimento moderno, assim como a importância da estátua e sua influência na sociedade. A ideia da estátua foi proposta pela primeira vez por Adelaide Johnson, um escultor famoso, em 1915. Johnson, que era uma fervorosa defensora do direito de voto feminino, queria criar um monumento que honrasse a contribuição dessas três mulheres maravilhosas na luta pelos direitos das mulheres.
The Woman Suffrage Status: A History of Adelaide Johnson's Porter Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Antony at the United States Capitol The Woman Suffrage Statue, located in the Rotunda of the United States Capitol, is a neoclassical masterpecute è stato oggetto di polemiche e celebrazioni per oltre sette decenni. La statua che perpetua la memoria di tre donne pioniere - Lucrezia Mott, Elizabeth Cady Stanton e Susan B. Anthony - ha una storia ricca che si estende da più di un secolo, dal suo concetto alla sua sistemazione a Rotonda. Questo articolo approfondirà l'evoluzione della tecnologia e la necessità di sviluppare un paradigma personale per comprendere il processo tecnologico dello sviluppo della conoscenza moderna, nonché la rilevanza della statua e il suo impatto sulla società. L'idea della statua fu proposta per la prima volta da Adelaide Johnson, un famoso scultore, nel 1915. Johnson, che era una feroce sostenitrice del voto femminile, voleva creare un monumento che onorasse il contributo di queste tre meravigliose donne nella lotta per i diritti delle donne.
The Woman Suffrage Statue: A History of Adelaide Johnson 's Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony at the United States Capitol The Woman Sut Die in der Rotunda des United States Capitol gelegene Statue ist eine neoklassizistische Meisterfigur, die seit mehr als sieben Jahrzehnten kontrovers diskutiert und gefeiert wird. Die Statue, die an drei wegweisende Feministinnen erinnert - Lucretia Mott, Elizabeth Cady Stanton und Susan B. Anthony - hat eine reiche Geschichte, die sich über mehr als ein Jahrhundert erstreckt, von ihrem Konzept bis zur Unterbringung in der Rotunde. Dieser Artikel wird sich mit der Entwicklung der Technologie und der Notwendigkeit befassen, ein persönliches Paradigma für das Verständnis des technologischen Prozesses der Entwicklung des modernen Wissens sowie der Bedeutung der Statue und ihrer Auswirkungen auf die Gesellschaft zu entwickeln. Die Idee für die Statue wurde erstmals 1915 von Adelaide Johnson, einer berühmten Bildhauerin, vorgeschlagen. Johnson, die eine glühende Befürworterin des Frauenwahlrechts war, wollte ein Denkmal schaffen, das den Beitrag dieser drei bemerkenswerten Frauen im Kampf für Frauenrechte würdigt.
Statua wyborcza kobiet: Historia portretu Adelaide Johnson Pomnik Lukretii Mott, Elizabeth Cady Stanton i Susan B. Anthony w Kapitolu Stanów Zjednoczonych Kobieta Suton posąg Gerrage, położony w Rotundzie Kapitolu Stanów Zjednoczonych, jest neoklasycznym arcydziełem, który jest przedmiotem kontrowersji i obchodów od ponad siedmiu dekad. Posąg, upamiętniający trzech pionierskich feministek - Lucretię Mott, Elizabeth Cady Stanton i Susan B. Anthony - ma bogatą historię, która obejmuje ponad sto lat, od poczęcia do umieszczenia w Rotundzie. Artykuł ten skupi się na ewolucji technologii i potrzebie opracowania osobistego paradygmatu dla zrozumienia technologicznego procesu rozwoju nowoczesnej wiedzy, a także znaczenia statuy i jej wpływu na społeczeństwo. Pomysł na statuetkę zaproponował po raz pierwszy w 1915 r. znany rzeźbiarz Adelaide Johnson. Johnson, który był wybitnym zwolennikiem kobiecych wyborów, chciał stworzyć pomnik, który uhonorowałby wkład tych trzech niezwykłych kobiet w walkę o prawa kobiet.
The Woman Suffrage Pסל: A History of Adelaide Johnson's Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B זה נושא למחלוקת ולחגיגה כבר יותר משבעה עשורים. לפסל, המנציח שלוש פמיניסטיות חלוצות - לוקרשיה מוט, אליזבת קיידי סטנטון וסוזן ב. אנתוני - היסטוריה עשירה המשתרעת על פני יותר ממאה שנה, מתפיסתה ועד מיקומה ברוטונדה. מאמר זה יתעמק בהתפתחות הטכנולוגיה ובצורך לפתח פרדיגמה אישית להבנת התהליך הטכנולוגי של התפתחות הידע המודרני, וכן במשמעותו של הפסל ובהשפעתו על החברה. הרעיון לפסל הוצע לראשונה על ידי אדלייד ג 'ונסון, פסלת ידועה, בשנת 1915. ג 'ונסון, שהייתה תומכת גלויה של זכות הבחירה לנשים, רצתה ליצור אנדרטה שתכבד את תרומתן של שלוש נשים יוצאות דופן אלה למאבק למען זכויות נשים.''
The Woman Suffrage Statue: A History of Adelaide Johnson's Portrait Monument to Lucretia Mott, Elizabeth Cady Stanton, and Susan B. Anthony at the United States Capitol Amerika Birleşik Devletleri Başkenti Rotunda bulunan Kadın Suton gerrage heykeli, neoklasik bir heykeldir Masterpecute, yetmiş yıldan fazla bir süredir tartışma ve kutlama konusu olmuştur. Üç öncü feministi (Lucretia Mott, Elizabeth Cady Stanton ve Susan B. Anthony) anan heykel, konseptinden Rotunda'ya yerleştirilmesine kadar bir asırdan fazla süren zengin bir tarihe sahip. Bu makale, teknolojinin evrimini ve modern bilginin gelişiminin teknolojik sürecini, heykelin önemini ve toplum üzerindeki etkisini anlamak için kişisel bir paradigma geliştirme ihtiyacını ele alacaktır. Heykel fikri ilk olarak 1915 yılında ünlü bir heykeltıraş olan Adelaide Johnson tarafından önerildi. Kadınların oy hakkının açık sözlü bir destekçisi olan Johnson, bu üç olağanüstü kadının kadın hakları mücadelesine katkılarını onurlandıracak bir anıt oluşturmak istedi.
تمثال المرأة لحق الاقتراع: تاريخ نصب أديلايد جونسون التذكاري للوكريشيا موت وإليزابيث كادي ستانتون وسوزان ب. أنتوني في مبنى الكابيتول بالولايات المتحدة تمثال المرأة ساتون، الواقع في روتوندا مبنى الكابيتول بالولايات المتحدة، هو تصور كلاسيكي جديد كان موضوع جدل واحتفال لأكثر من سبعة عقود. يتمتع التمثال، الذي يخلد ذكرى ثلاث نسويات رائدات - لوكريشيا موت وإليزابيث كادي ستانتون وسوزان ب. أنتوني - بتاريخ غني يمتد لأكثر من قرن، من تصوره إلى وضعه في روتوندا. سوف تتعمق هذه المقالة في تطور التكنولوجيا والحاجة إلى تطوير نموذج شخصي لفهم العملية التكنولوجية لتطوير المعرفة الحديثة، وكذلك أهمية التمثال وتأثيره على المجتمع. تم اقتراح فكرة التمثال لأول مرة من قبل أديلايد جونسون، النحات الشهير، في عام 1915. أرادت جونسون، التي كانت مؤيدة صريحة لحق المرأة في الاقتراع، إنشاء نصب تذكاري يكرم مساهمات هؤلاء النساء الثلاث الرائعات في الكفاح من أجل حقوق المرأة.
여성 참정권 동상: Lucretia Mott, Elizabeth Cady Stanton 및 Susan B. Anthony에 대한 애들레이드 존슨의 초상화 기념비의 역사 미국 국회 의사당 원형 홀에 위치한 Woman Suton gerrage 동상은 신고전주의 마스터 프레이다. Lucretia Mott, Elizabeth Cady Stanton 및 Susan B. Anthony 등 3 명의 선구적인 페미니스트를 기념하는이 동상은 개념에서 원형 홀에 배치에 이르기까지 1 세기가 넘는 풍부한 역사를 가지고 있습니다. 이 기사는 기술의 진화와 현대 지식 개발의 기술 과정을 이해하기위한 개인적인 패러다임을 개발할 필요성뿐만 아니라 동상의 중요성과 사회에 미치는 영향을 탐구 할 것입니다. 이 동상에 대한 아이디어는 1915 년에 유명한 조각가 인 애들레이드 존슨이 처음 제안했습니다. 여성 참정권의 대변인 인 존슨은이 세 명의 놀라운 여성이 여성의 권리를위한 투쟁에 기여한 것을 기리는 기념비를 만들고 싶었습니다.
女性参政権像:アデレード・ジョンソンのルクレティア・モットの肖像記念碑、エリザベス・ケディ・スタントン、スーザン・B・アンソニー(アメリカ合衆国議会議事堂)アメリカ合衆国議会議事堂は、70以上にわたり論争と祝賀の対象となってきた新古典主義の傑作です。ルクレティア・モット、エリザベス・キャディ・スタントン、スーザン・B・アンソニーという3人の先駆的フェミニストを記念したこの像は、その構想からロタンダへの配置まで、1世紀以上にわたる豊かな歴史を持っています。この記事では、技術の進化と現代の知識の発展の技術的プロセスを理解するための個人的なパラダイムを開発する必要性だけでなく、像の重要性と社会への影響を掘り下げます。この像のアイデアは1915に著名な彫刻家アデレード・ジョンソンによって最初に提案された。女性参政権の支持者であったジョンソンは、女性の権利のための闘いにこれら3人の注目すべき女性の貢献を称える記念碑を作りたかった。
婦女選舉權狀態:阿德萊德·約翰遜(Adelaide Johnson)的盧克雷蒂亞莫特(Lucretia Mott),伊麗莎白凱迪斯坦頓(Elizabeth Cady Stanton)和蘇珊安東尼(Susan B. Anthony)的肖像紀念碑的歷史itol The Woman Suffrage Statue,在美國國會大廈的Rotunda定位,是新古典大師級大師級大師,七十多來一直是爭議和慶祝活動的主題。紀念三個先驅女權主義者的雕像Lucretia Mott、Elizabeth Cady Stanton和Susan B. Anthony擁有一個多世紀的豐富歷史,從概念到在圓形大廳的住宿。本文將深入探討技術的演變,以及建立個人範例的必要性,以了解現代知識發展的過程過程以及雕像的重要性及其對社會的影響。雕像的想法最初是由著名雕塑家阿德萊德·約翰遜(Adelaide Johnson)於1915提出的。約翰遜是婦女選舉權的熱心擁護者,她想創建一座紀念碑,以表彰這三名傑出的婦女在爭取婦女權利的鬥爭中的貢獻。

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