BOOKS - Public Spectacles in Roman and Late Antique Palestine (Revealing Antiquity)
Public Spectacles in Roman and Late Antique Palestine (Revealing Antiquity) - Zeev Weiss March 24, 2014 PDF  BOOKS
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Public Spectacles in Roman and Late Antique Palestine (Revealing Antiquity)
Author: Zeev Weiss
Year: March 24, 2014
Format: PDF
File size: PDF 68 MB
Language: English



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Public Spectacles in Roman and Late Antique Palestine Revealing Antiquity In the book "Public Spectacles in Roman and Late Antique Palestine Zeev Weiss takes readers on a journey through the panoply of public entertainment that flourished in Palestine from the first century BCE to the sixth century CE. Drawing on a wealth of original archaeological and textual evidence, Weiss reconstructs an ancient world where Romans, Jews, and Christians intermingled amidst a heady brew of shouts, roars, and applause to watch a variety of typically pagan spectacles. These included dramatic performances, chariot races, athletic competitions, and gladiatorial combats that required elaborate public venues often maintained at great expense. The book explores how the indigenous Jewish and Christian populations responded as both spectators and performers to these cultural imports, and how their reactions differed from those of the rabbinic and clerical elites who warned against pagan entertainment. Despite these warnings, the popularity of these events endured, with games and spectacles continuing into the fifth century CE, long after Herod's reign had ended. However, by the sixth century CE, public entertainment in Palestine had become a cultural institution in decline, ultimately disappearing during Justinian's reign.
Public Spectacles in Roman and Late Antique Palestine Revealing Antiquity В книге «Public Spectacles in Roman and Late Antique Palestine» Zeev Weiss проводит читателей в путешествие по панопии общественных развлечений, которые процветали в Палестине с первого века до нашей эры до шестого века нашей эры. Опираясь на множество оригинальных археологических и текстовых свидетельств, Вайс реконструирует древний мир, где римляне, иудеи и христиане смешивались среди пьянящего варева криков, рева и аплодисментов, чтобы наблюдать за разнообразными типично языческими зрелищами. Они включали в себя драматические представления, гонки на колесницах, спортивные соревнования и гладиаторские бои, которые требовали сложных общественных мест, которые часто поддерживались за большие деньги. Книга исследует, как коренное еврейское и христианское население реагировало как зрители и исполнители на этот культурный импорт, и как их реакция отличалась от реакции раввинской и клерикальной элиты, которая предостерегала от языческих развлечений. Несмотря на эти предупреждения, популярность этих событий сохранялась, а игры и зрелища продолжались в пятом веке нашей эры, еще долго после окончания правления Ирода. Однако к VI веку нашей эры общественные развлечения в Палестине стали культурным институтом, переживающим упадок, в конечном итоге исчезнувшим во время правления Юстиниана.
Public Spectacles in Roman and Late Antique Palestine Revealing Antiquity Dans le livre Public Spectacles in Roman and Late Antique Palestine, Zeev Weiss emmène les lecteurs dans un voyage à travers une panoplie de divertissement public qui a prospéré en Palestine avec du premier siècle av. J.-C. au sixième siècle av. J.-C.. S'appuyant sur de nombreux témoignages archéologiques et textuels originaux, Weiss reconstruit le monde antique, où les Romains, les Juifs et les Chrétiens se mélangeaient au milieu de cris, de revues et d'applaudissements ivres pour observer une variété de spectacles typiquement païens. Ils comprenaient des spectacles dramatiques, des courses de chars, des compétitions sportives et des combats de gladiateurs qui exigeaient des lieux publics difficiles, souvent soutenus pour beaucoup d'argent. livre explore comment les populations autochtones juives et chrétiennes ont réagi en tant que spectateurs et interprètes à cette importation culturelle, et comment leur réaction s'est distinguée de celle de l'élite rabbinique et cléricale qui mettait en garde contre le divertissement païen. Malgré ces avertissements, la popularité de ces événements s'est maintenue, et les jeux et les spectacles ont continué au cinquième siècle de notre ère, bien après la fin du règne d'Hérode. Cependant, au VIe siècle de notre ère, le divertissement public en Palestine est devenu une institution culturelle en déclin, qui a finalement disparu sous le règne de Justinien.
Espectros Públicos en Roma y Late Antique Palestine Revealing Antiquity En el libro «Espectáculos Públicos en Roma y Late Antique Palestine», Zeev Weiss lleva a los lectores a un viaje a través de panopia de entretenimiento público que floreció en Palestina desde el siglo I a. C. hasta el siglo VI d. C. Apoyándose en muchos testimonios originales arqueológicos y textuales, Weiss reconstruye el mundo antiguo, donde romanos, judíos y cristianos se mezclaban entre un borracho brebaje de gritos, rugidos y aplausos para observar una variedad de espectáculos típicamente paganos. Estos incluían representaciones dramáticas, carreras de carros, competiciones deportivas y combates de gladiadores que requerían lugares públicos complejos que a menudo se mantenían por mucho dinero. libro explora cómo las poblaciones indígenas judías y cristianas reaccionaron como espectadores e intérpretes ante esta importación cultural, y cómo su reacción difería de la de la élite rabínica y clerical, que advertía contra el entretenimiento pagano. A pesar de estas advertencias, la popularidad de estos eventos se mantuvo, y los juegos y espectáculos continuaron en el siglo V d. C., mucho después del fin del reinado de Herodes. n embargo, para el siglo VI d. C., el entretenimiento público en Palestina se había convertido en una institución cultural en declive, finalmente desaparecido durante el reinado de Justiniano.
Public Spectacles in Roman and Late Antiquary Officine Revealing Antiquity Nel libro «Public Spectacles in Roman and Late Antique Palestine», Zeev Weiss conduce i lettori in un viaggio attraverso le panopatie di intrattenimento pubblico che hanno fiorito in Palestina fin dal primo secolo Avanti Cristo fino al sesto secolo Cristo. Basandosi su numerose testimonianze archeologiche e testuali originali, Weiss ricostruisce il mondo antico, dove romani, ebrei e cristiani si mescolavano tra urla ubriaconi, revive e applausi per osservare i vari spettacoli tipici pagani. Questi includevano spettacoli drammatici, corse su carri, competizioni sportive e combattimenti di gladiatori che richiedevano luoghi pubblici complessi, spesso sostenuti per molti soldi. Il libro indaga come le popolazioni native ebraiche e cristiane hanno reagito come spettatori ed esecutori a queste importazioni culturali, e come la loro reazione è stata diversa da quella delle élite rabbiniche e clericali che hanno messo in guardia dall'intrattenimento pagano. Nonostante questi avvertimenti, la popolarità di questi eventi persiste, e i giochi e gli spettacoli proseguirono nel quinto secolo Cristo, fino alla fine del regno di Erode. Ma nel VI secolo Cristo, l'intrattenimento sociale in Palestina divenne un'istituzione culturale in declino, alla fine scomparsa durante il regno di Giustiniano.
Public Spectacles in Roman and Late Antique Palestine Revealing Antiquity In dem Buch „Public Spectacles in Roman and Late Antique Palestine“ nimmt Zeev Weiss die ser mit auf eine Reise durch das Panopium der öffentlichen Unterhaltung, das vom ersten Jahrhundert v. Chr. bis zum sechsten Jahrhundert n. Chr. in Palästina blühte Ära. Auf der Grundlage vieler originaler archäologischer und textlicher Beweise rekonstruiert Weiss die antike Welt, in der sich Römer, Juden und Christen inmitten eines berauschenden Gebräus aus Schreien, Brüllen und Applaus vermischten, um eine Vielzahl typisch heidnischer Spektakel zu beobachten. Dazu gehörten dramatische Darbietungen, Wagenrennen, Sportwettkämpfe und Gladiatorenkämpfe, die komplexe öffentliche Orte erforderten, die oft für viel Geld unterstützt wurden. Das Buch untersucht, wie die indigene jüdische und christliche Bevölkerung als Zuschauer und Performer auf diesen kulturellen Import reagierte und wie sich ihre Reaktion von der der rabbinischen und klerikalen Elite unterschied, die vor heidnischer Unterhaltung warnte. Trotz dieser Warnungen blieb die Popularität dieser Ereignisse bestehen, und Spiele und Spektakel wurden im fünften Jahrhundert nach Christus fortgesetzt, lange nach dem Ende der Herrschaft des Herodes. Im 6. Jahrhundert nach Christus wurde die öffentliche Unterhaltung in Palästina jedoch zu einer kulturellen Institution, die sich im Niedergang befand und schließlich während der Herrschaft Justinians verschwand.
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Roma ve Geç Antik Filistin'de Halk Gözlükleri Antik Çağ'ı Açığa Çıkarıyor Zeev Weiss, "Roma ve Geç Antik Filistin'de Halk Gözlükleri'nde okurları MÖ 1. yüzyıldan MS 6. yüzyıla kadar Filistin'de gelişen halk eğlencesi panopyasında bir yolculuğa çıkarıyor. Orijinal arkeolojik ve metinsel kanıtların zenginliğinden yararlanan Weiss, Romalıların, Yahudilerin ve Hıristiyanların, çeşitli tipik pagan gösterilerini izlemek için baş döndürücü bir çığlık, kükreme ve alkış demeti arasında karıştığı eski bir dünyayı yeniden inşa ediyor. Bunlar arasında dramatik performanslar, araba yarışları, spor etkinlikleri ve genellikle büyük masraflarla desteklenen ayrıntılı kamusal alanlar gerektiren gladyatör dövüşleri vardı. Kitap, yerli Yahudi ve Hıristiyan nüfusun bu kültürel ithalata seyirci ve icracı olarak nasıl tepki verdiğini ve tepkilerinin pagan eğlencesine karşı uyaran hahamlar ve dini seçkinlerden nasıl farklı olduğunu araştırıyor. Bu uyarılara rağmen, bu olayların popülaritesi devam etti ve oyunlar ve gözlükler, Hirodes'in saltanatının sona ermesinden çok sonra, MS beşinci yüzyıla kadar devam etti. Bununla birlikte, MS 6. yüzyıla gelindiğinde, Filistin'deki kamu eğlencesi, Justinianus'un hükümdarlığı sırasında ortadan kaybolan bir kültür kurumu haline geldi.
المشاهد العامة في فلسطين الرومانية والعتيقة المتأخرة تكشف عن العصور القديمة في «المشاهد العامة في فلسطين الرومانية والعتيقة المتأخرة»، يأخذ زئيف فايس القراء في رحلة عبر بانوبيا الترفيه العام التي ازدهرت في فلسطين من القرن الأول قبل الميلاد إلى القرن السادس عصر م. بالاعتماد على ثروة من الأدلة الأثرية والنصية الأصلية، أعاد فايس بناء عالم قديم حيث اختلط الرومان واليهود والمسيحيون وسط مشروب من الصراخ والزئير والتصفيق لمشاهدة مجموعة متنوعة من النظارات الوثنية النموذجية. وشملت هذه العروض الدرامية وسباقات العربات والأحداث الرياضية والمعارك المصارعة التي تطلبت مساحات عامة متقنة غالبًا ما كانت مدعومة بتكلفة كبيرة. يستكشف الكتاب كيف كان رد فعل السكان اليهود والمسيحيين الأصليين كمتفرجين وفناني أداء على هذه الواردات الثقافية، وكيف اختلفت ردود أفعالهم عن ردود فعل النخب الحاخامية ورجال الدين، الذين حذروا من الترفيه الوثني. على الرغم من هذه التحذيرات، استمرت شعبية هذه الأحداث، واستمرت الألعاب والنظارات في القرن الخامس الميلادي، بعد فترة طويلة من نهاية عهد هيرودس. ومع ذلك، بحلول القرن السادس الميلادي، أصبح الترفيه العام في فلسطين مؤسسة ثقافية في حالة تدهور، واختفى في النهاية خلال عهد جستنيان.

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