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Ernie Kovacs and Early TV Comedy: Nothing in Moderation - Andrew Horton January 1, 2010 PDF  BOOKS
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Ernie Kovacs and Early TV Comedy: Nothing in Moderation
Author: Andrew Horton
Year: January 1, 2010
Format: PDF
File size: PDF 11 MB
Language: English



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Ernie Kovacs: A Pioneer of Television Comedy In the early days of television, Ernie Kovacs was one of the most innovative and imaginative comedians of his time. His unique brand of humor, characterized by wildly creative jokes, playful characterizations, and hilarious insights, captivated audiences throughout the 1950s and early 1960s. As a pioneer of television comedy, Kovacs not only entertained millions of viewers but also inspired a host of later comedies and comedians, including Monty Python, David Letterman, Saturday Night Live, Rowan and Martin's Laugh-In, Captain Kangaroo, and even Sesame Street. Kovacs's approach to comedy was summed up in his motto "Nothing in moderation which reflected his wholehearted commitment to making people laugh. He believed that comedy should be bold, irreverent, and surprising, and he spent his career pushing the boundaries of what was considered acceptable on television. In his book, Andrew Horton offers the first in-depth look at Kovacs's contributions to the development of TV comedy, exploring his work in New York and Los Angeles, as well as his forays into feature film comedy.
Эрни Ковач: Пионер телевизионной комедии В первые дни телевидения Эрни Ковач был одним из самых инновационных и креативных комиков своего времени. Его уникальный бренд юмора, характеризующийся дико творческими шутками, игривыми характеристиками и уморительными прозрениями, покорял зрителей на протяжении 1950-х и начала 1960-х годов. Будучи пионером телевизионной комедии, Ковач не только развлекал миллионы зрителей, но и вдохновлял множество более поздних комедий и комиков, в том числе «Монти Пайтон», «Дэвид Леттерман», «Субботним вечером в прямом эфире», «Роуэн и Мартин смеются», «Капитан Кенгуру» и даже «Улица Сезам». Подход Ковача к комедии был подытожен в его девизе «Nothing in moderation», который отражал его искреннюю приверженность тому, чтобы смешить людей. Он считал, что комедия должна быть смелой, непочтительной и удивительной, и он провёл свою карьеру, раздвигая границы того, что считалось приемлемым на телевидении. В своей книге Эндрю Хортон предлагает первый глубокий взгляд на вклад Ковача в развитие телекомедии, исследуя его работы в Нью-Йорке и Лос-Анджелесе, а также его вылазки в комедию игрового кино.
Ernie Kovacs : Pionnier de la comédie télévisée Dans les premiers jours de la télévision, Ernie Kovacs était l'un des comédiens les plus innovants et créatifs de son époque. Sa marque d'humour unique, caractérisée par des blagues sauvagement créatives, des caractéristiques ludiques et des visions hilarantes, a conquis le public tout au long des années 1950 et au début des années 1960. Pionnier de la comédie télévisée, Kovac a non seulement diverti des millions de téléspectateurs, mais a également inspiré de nombreuses comédies et comédiens plus récents, dont Monty Python, David tterman, samedi soir en direct, Rowan et Martin rient, Capitaine Kangourou et même Sésame Street. L'approche de Kovac de la comédie a été résumée dans sa devise « Nothing in moderation », qui reflétait son engagement sincère à faire rire les gens. Il croyait que la comédie devait être audacieuse, intrépide et étonnante, et il a passé sa carrière à repousser les limites de ce qui était considéré comme acceptable à la télévision. Dans son livre, Andrew Horton offre une première vision profonde de la contribution de Kovac au développement de la télédétection en explorant son travail à New York et à Angeles, ainsi que ses incursions dans la comédie du cinéma de jeu.
Ernie Kovacs: Pionero de la comedia televisiva En los primeros días de la televisión, Ernie Kovacs fue uno de los comediantes más innovadores y creativos de su época. Su singular marca de humor, caracterizada por chistes salvajemente creativos, características lúdicas y percepciones hilarantes, conquistó al público a lo largo de los 50 y principios de los 60. Como pionero de la comedia televisiva, Kovacs no solo entretuvo a millones de espectadores, sino que también inspiró muchas comedias y comediantes posteriores, incluyendo «Monty Python», «David tterman», «Saturday Night Live», «Rowan y Martin riendo», «Captain Canguro» e incluso «Seze Street» «am». acercamiento de Kovac a la comedia fue resumido en su lema «Nothing in modernation», que reflejaba su sincero compromiso de mezclar a la gente. Creía que la comedia debía ser audaz, irreverente y sorprendente, y pasó su carrera empujando los límites de lo que se consideraba aceptable en televisión. En su libro, Andrew Horton ofrece una primera mirada profunda a la contribución de Kovac al desarrollo de la teleomedia, explorando su trabajo en Nueva York y Ángeles, así como sus incursiones en la comedia del cine de ficción.
Ernie Kovacs: Pioneiro da comédia televisiva Nos primeiros dias de televisão Ernie Kovacs era um dos comediantes mais inovadores e criativos do seu tempo. Sua marca única de humor, caracterizada por brincadeiras criativas, características brincadeiras e hesitantes, conquistou o público durante os anos 1950 e início dos anos 1960. Como pioneiro da comédia televisiva, Kovacs não só divertiu milhões de espectadores, como também inspirou muitas comédias e comediantes mais recentes, incluindo Monty Python, David tterman, Sábado à Noite ao Vivo, Rowan e Martin Rindo, Capitão Canguru e até Sésamo Street. A abordagem de Kovac em relação à comédia foi resumida em seu lema «Nothing in modernation», que refletiu seu compromisso sincero em fazer rir as pessoas. Ele acreditava que a comédia deveria ser corajosa, imprópria e surpreendente, e ele passou a carreira a abrir os limites do que era considerado aceitável na televisão. Em seu livro, Andrew Horton oferece uma visão profunda da contribuição de Kovac para o desenvolvimento da TV, explorando seus trabalhos em Nova York e Angeles e suas participações em comédias de jogos.
Ernie Kovac: Pioniere della commedia televisiva Nei primi giorni di televisione Ernie Kovac era uno dei comici più innovativi e creativi del suo tempo. Il suo unico marchio di umorismo, caratterizzato da battute creative, caratteristiche giocose e sfumature, ha conquistato gli spettatori negli annì 50 e nei primi anni '60. Come pioniere della commedia televisiva, Kovac non solo ha intrattenuto milioni di spettatori, ma ha ispirato molte commedie e comici più recenti, tra cui Monty Python, David tterman, Il sabato sera in diretta, Rowan e Martin ridono, Capitan Kanguru e persino Sezam Street. L'approccio di Kovac alla commedia è stato riassunto nel suo motto «Nothing in modernation», che riflette il suo sincero impegno nel far ridere le persone. Pensava che la commedia doveva essere coraggiosa, sconsiderata e sorprendente, e ha passato la sua carriera ad espandere i limiti di ciò che era considerato accettabile in televisione. Nel suo libro, Andrew Horton offre una prima visione approfondita del contributo di Kovac allo sviluppo della telecronaca, esplorando i suoi lavori a New York e Angeles e le sue partecipazioni alla commedia cinematografica.
Ernie Kovac: Pionier der Fernsehkomödie In den Anfängen des Fernsehens war Ernie Kovac einer der innovativsten und kreativsten Komiker seiner Zeit. Seine einzigartige Art von Humor, die sich durch wild kreative Witze, spielerische Eigenschaften und urkomische Einsichten auszeichnet, zog das Publikum in den 1950er und frühen 1960er Jahren in seinen Bann. Als Pionier der Fernsehkomödie unterhielt Kovacs nicht nur Millionen von Zuschauern, sondern inspirierte auch viele spätere Komödien und Komiker, darunter Monty Python, David tterman, Saturday Night Live, Rowan und Martin lachen, Captain Kangaroo und sogar die Sesamstraße. Kovacs Herangehensweise an die Komödie wurde in seinem Motto „Nothing in moderation“ zusammengefasst, das sein aufrichtiges Engagement widerspiegelte, die Menschen zum Lachen zu bringen. Er glaubte, dass Komödie mutig, respektlos und überraschend sein sollte, und er verbrachte seine Karriere damit, die Grenzen dessen zu überschreiten, was im Fernsehen als akzeptabel galt. In seinem Buch bietet Andrew Horton einen ersten tiefen Einblick in Kovacs Beitrag zur Entwicklung der Fernsehkomödie, indem er seine Arbeit in New York und Angeles sowie seine Streifzüge in die Spielfilmkomödie untersucht.
ארני קובאץ ': חלוץ הקומדיה הטלוויזיונית בימים הראשונים של הטלוויזיה, ארני קובאץ'היה אחד הקומיקאים החדשניים והיצירתיים ביותר בתקופתו. מותג ההומור הייחודי שלו, המאופיין בבדיחות מלאות דמיון, מאפיינים שובבים ותובנות מצחיקות, זכה על פני קהל במהלך שנות החמישים ותחילת שנות השישים. כחלוץ קומדיה טלוויזיונית, קובאץ 'לא רק בידר מיליוני צופים, אלא גם נתן השראה לקומיקאים וקומיקאים רבים מאוחרים יותר, כולל ”מונטי פייתון”, ”דייוויד לטרמן”, ”סאטרדיי נייט לייב”, ”רואן ומרטין צוחקים”, ”קפטן קנגורו” ואפילו ”רחוב סומסום”. גישתו של קובאץ 'לקומדיה סוכמה במוטו שלו, ”שום דבר במתינות”, ששיקף את מחויבותו האמיתית להצחיק אנשים. הוא האמין שהקומדיה צריכה להיות נועזת, חצופה ומדהימה, והוא בילה את הקריירה שלו בדחיפת הגבולות של מה שנחשב מקובל בטלוויזיה. בספרו, אנדרו הורטון מציע מבט מעמיק ראשון על תרומתו של קובאץ 'לקומדיה טלוויזיונית, חוקר את עבודתו בניו יורק ובלוס אנג'לס, כמו גם את יצירותיו לקומדיה לייב-אקשן.''
Ernie Kovacs: Televizyon komedisinin öncüsü Televizyonun ilk günlerinde Ernie Kovacs, zamanının en yenilikçi ve yaratıcı komedyenlerinden biriydi. Çılgınca yaratıcı şakalar, eğlenceli karakterizasyonlar ve komik içgörülerle karakterize edilen eşsiz mizah markası, 1950'ler ve 1960'ların başlarında izleyicileri kazandı. Televizyon komedisinin öncüsü olan Kovacs, sadece milyonlarca izleyiciyi eğlendirmekle kalmadı, aynı zamanda "Monty Python", "David tterman", "Saturday Night Live", "Rowan ve Martin Laugh", "Kaptan Kanguru've hatta" Susam Sokağı'da dahil olmak üzere daha sonraki birçok komedi ve komedyene ilham verdi. Kovacs'ın komediye yaklaşımı, insanları güldürme konusundaki gerçek taahhüdünü yansıtan "Ölçülü bir şey yok" sloganında özetlendi. Komedinin cesur, saygısız ve şaşırtıcı olması gerektiğine inanıyordu ve kariyerini televizyonda kabul edilebilir olanın sınırlarını zorlayarak geçirdi. Kitabında Andrew Horton, Kovacs'ın TV komedisine katkılarına, New York ve Angeles'taki çalışmalarını ve canlı aksiyon komedisine girişlerini inceleyen ilk derinlemesine bakış sunuyor.
إرني كوفاكس: رائد الكوميديا التلفزيونية في الأيام الأولى للتلفزيون، كان إرني كوفاكس أحد أكثر الكوميديين إبداعًا وإبداعًا في عصره. استحوذت علامته التجارية الفريدة من الفكاهة، التي تميزت بالنكات الخيالية العنيفة والتوصيفات المرحة والرؤى المرحة، على الجماهير طوال الخمسينيات وأوائل الستينيات. بصفته رائدًا في الكوميديا التلفزيونية، لم يستمتع كوفاكس بملايين المشاهدين فحسب، بل ألهم العديد من الأفلام الكوميدية والكوميدية اللاحقة، بما في ذلك "مونتي بايثون" و "ديفيد ليترمان" و "ساترداي نايت لايف" و "روان ومارتن لاغ" و "الكابتن كانجارو" وحتى "سانجارو" شارع عصيم ". تم تلخيص نهج كوفاكس في الكوميديا في شعاره، «لا شيء باعتدال»، والذي يعكس التزامه الحقيقي بجعل الناس يضحكون. كان يعتقد أن الكوميديا يجب أن تكون جريئة وغير موقرة ومدهشة، وقد أمضى حياته المهنية في تجاوز حدود ما كان يعتبر مقبولاً على التلفزيون. في كتابه، يقدم أندرو هورتون أول نظرة متعمقة على مساهمات كوفاكس في الكوميديا التلفزيونية، ويستكشف عمله في نيويورك ولوس أنجلوس، بالإضافة إلى غزواته في الكوميديا الحية.
어니 코 바츠: 텔레비전 코미디의 개척자 텔레비전 초기에 어니 코 바츠는 당시 가장 혁신적이고 창조적 인 코미디언 중 하나였습니다. 격렬한 상상력의 농담, 장난스러운 특성 및 재미있는 통찰력을 특징으로하는 그의 독특한 유머 브랜드는 1950 년대와 1960 년대 초반 관객을 대상으로 승리했습니다. 텔레비전 코미디의 선구자 인 Kovacs는 수백만 명의 시청자를 즐겁게했을뿐만 아니라 "Monty Pine", "David tterman", "Saturday Night Live", "Rowan and Martin Laugh", "Captain Kangaroo", 심지어 "세서미 스트리트". Kovacs의 코미디 접근 방식은 사람들을 웃게 만드는 그의 진정한 헌신을 반영한 "적당한 것은 없다" 라는 모토로 요약되었습니다. 그는 코미디가 대담하고 부주의하며 놀랍어야한다고 믿었으며 텔레비전에서 수용 가능한 것으로 간주되는 경계를 넓히기 위해 경력을 쌓았습니다. Andrew Horton은 그의 저서에서 TV 코미디에 대한 Kovacs의 공헌에 대한 첫 번째 심층적 인 모습을 제공하며 뉴욕과 로스 앤젤레스에서의 작품을 탐구하고 실사 코미디에 대한 진출을 제공합니다.
Ernie Kovacs:電視喜劇的先驅在電視的早期,Ernie Kovacs是他那個時代最具創新性和創造性的喜劇演員之一。他獨特的幽默品牌以瘋狂的創造性笑話,俏皮的特征和熱鬧的洞察力為特征,在整個1950代和1960代初吸引了觀眾。作為電視喜劇的先驅,科瓦奇不僅招待了數百萬觀眾,而且還啟發了後來的許多喜劇和喜劇演員,包括「Monty Python」,「David tterman」,「Saturday Night Live」,「Rowan and Martin笑」,「袋鼠隊長」甚至「芝麻街」。科瓦奇的喜劇方法在他的座右銘「模仿中一無所獲」中得到了總結,這反映了他對混合人們的真誠承諾。他認為這部喜劇應該大膽,不真實和令人驚訝,他的職業生涯突破了電視上可以接受的界限。安德魯·霍頓(Andrew Horton)在書中首次深入研究了科瓦奇(Kovach)對電視喜劇發展的貢獻,探討了他在紐約和洛杉磯的作品以及他對遊戲電影喜劇的嘗試。

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