BOOKS - Between Dancing and Writing: The Practice of Religious Studies
Between Dancing and Writing: The Practice of Religious Studies - Kimerer LaMothe November 1, 2004 PDF  BOOKS
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Between Dancing and Writing: The Practice of Religious Studies
Author: Kimerer LaMothe
Year: November 1, 2004
Format: PDF
File size: PDF 1.8 MB
Language: English



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The Plot of Between Dancing and Writing: The Practice of Religious Studies Between Dancing and Writing: The Practice of Religious Studies is a thought-provoking book that delves into the relationship between technology, religion, and human existence. The author, LaMothe, explores the significance of studying the evolution of technology and its impact on our understanding of religious practices and beliefs. The book is divided into two parts, each offering a unique perspective on the intersection of dance, writing, and religious studies. Part One: The Neglect of Dance in Religious Studies LaMothe begins by examining why scholars in religious studies have historically overlooked dance and rhythmic bodily movement in favor of textual expressions of religious life. She traces this attitude back to formative moments in the field, where philosophers relied on writing to mediate between the study of religion and theology. Through close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe reveals how this focus on writing has shaped the field of religious studies and limited our understanding of the role of dance in religious expression. Part Two: Reviving the Work of Gerardus van der Leeuw In the second part of the book, LaMothe draws upon the work of theologian, phenomenologist, and historian of religion, Gerardus van der Leeuw, to explore how dancing can serve as a medium of religious experience and expression.
The Plot of Between Dancing and Writing: The Practice of Religious Studies Between Dancing and Writing: The Practice of Religious Studies - книга, заставляющая задуматься о взаимосвязи между технологиями, религией и человеческим существованием. Автор, LaMothe, исследует значение изучения эволюции технологий и ее влияния на наше понимание религиозных практик и убеждений. Книга разделена на две части, каждая из которых предлагает уникальный взгляд на пересечение танца, письма и религиоведения. Часть первая: Пренебрежение танцем в религиоведении LaMothe начинает с изучения того, почему ученые в области религиоведения исторически игнорировали танец и ритмичное телесное движение в пользу текстовых выражений религиозной жизни. Она прослеживает это отношение к формирующим моментам в области, где философы полагались на письмо, чтобы посредничать между изучением религии и теологии. Благодаря тесным чтениям Декарта, Канта, Шлейермахера, Гегеля и Кьеркегора ЛаМоте раскрывает, как эта ориентация на письмо сформировала область религиоведения и ограничила наше понимание роли танца в религиозном выражении. Часть вторая: Возрождение работы Герардуса ван дер Леу Во второй части книги ЛаМоте опирается на работу теолога, феноменолога и историка религии Герардуса ван дер Леу, чтобы исследовать, как танцы могут служить средством религиозного опыта и выражения.
The Plot of Between Dancing and Writing : The Practice of Religions Studies Between Dancing and Writing : The Practice of Religions Studies est un livre qui fait réfléchir sur la relation entre la technologie, la religion et l'existence humaine. L'auteur, LaMothe, explore l'importance de l'étude de l'évolution de la technologie et de son impact sur notre compréhension des pratiques et croyances religieuses. livre est divisé en deux parties, chacune offrant une vision unique de l'intersection de la danse, de l'écriture et des études religieuses. La première partie : Négliger la danse dans les études religieuses LaMothe commence par étudier pourquoi les scientifiques en sciences religieuses ont historiquement ignoré la danse et le mouvement corporel rythmique en faveur des expressions textuelles de la vie religieuse. Elle retrace cette attitude à des moments formatifs dans un domaine où les philosophes se sont appuyés sur l'écriture pour médiatiser l'étude de la religion et de la théologie. Grâce aux lectures étroites de Descartes, Kant, Schleiermacher, Hegel et Kierkegaard, LaMothe révèle comment cette orientation vers l'écriture a façonné le domaine des études religieuses et limité notre compréhension du rôle de la danse dans l'expression religieuse. Deuxième partie : La renaissance du travail de Gerardus van der euw Dans la deuxième partie du livre, LaMothe s'appuie sur le travail du théologue, phénoménologue et historien de la religion Gerardus van der euw pour étudier comment la danse peut servir de moyen d'expérience et d'expression religieuse.
The Plot of Between Dancing and Writing: The Practice of Relious Studies Between Dancing and Writing: The Practice of Relious Studies es un libro que hace reflexionar sobre la relación entre la tecnología, la religión y la existencia humana. autor, LaMothe, explora la importancia del estudio de la evolución de la tecnología y su influencia en nuestra comprensión de las prácticas y creencias religiosas. libro se divide en dos partes, cada una de las cuales ofrece una visión única de la intersección entre danza, escritura y estudios religiosos. Primera parte: Descuido de la danza en los estudios religiosos LaMothe comienza estudiando por qué los estudiosos de las ciencias religiosas han ignorado históricamente la danza y el movimiento rítmico corporal en favor de las expresiones textuales de la vida religiosa. Ella traza esta actitud hacia los momentos formativos en un campo donde los filósofos confiaban en la escritura para mediar entre el estudio de la religión y la teología. Gracias a las estrechas lecturas de Descartes, Kant, Schleiermacher, Hegel y Kierkegaard, LaMote revela cómo esta orientación a la escritura ha formado el campo de los estudios religiosos y ha limitado nuestra comprensión del papel de la danza en la expresión religiosa. Segunda parte: renacimiento de la obra de Gerardus van der u En la segunda parte del libro, LaMote se basa en el trabajo del teólogo, fenomenólogo e historiador de la religión Gerardus van der u para investigar cómo las danzas pueden servir como un medio de experiencia y expresión religiosa.
The Plot of Between Dancing and Writing: The Pratice of Religious Studies Between Dancing and Writing: The Pratice of Religious Studies - um livro para refletir sobre a relação entre tecnologia, religião e existência humana. O autor, LaMothe, explora o significado do estudo da evolução da tecnologia e seus efeitos na nossa compreensão das práticas e crenças religiosas. O livro é dividido em duas partes, cada uma oferecendo uma visão única da interseção entre dança, escrita e religião. A primeira parte: A despeito da dança na religião começa por estudar por que os cientistas da religião têm historicamente ignorado a dança e o movimento corporal rítmico em prol das expressões textuais da vida religiosa. Ela descobre essa atitude em relação aos momentos formadores da área em que os filósofos dependiam da carta para mediar entre o estudo da religião e a teologia. Graças às estreitas leituras de Descartes, Kant, Schleyermacher, Hegel e Kierkegaard, LaMote revela como essa orientação para a escrita moldou o campo da religião e limitou a nossa compreensão do papel da dança na expressão religiosa. Segunda parte: O renascimento do trabalho de Gherardus van der euw Na segunda parte do livro de LaMothe baseia-se no trabalho do teólogo, fenomenólogo e historiador religioso Gherardus van der euw para investigar como a dança pode ser um meio de experiência e expressão religiosa.
The Plot of Between Dancing and Writing: The Practice of Religious Studies Between Dancing and Writing: The Practice of Religious Studies è un libro che fa riflettere sul rapporto tra tecnologia, religione ed esistenza umana. L'autore indaga sull'importanza di studiare l'evoluzione della tecnologia e la sua influenza sulla nostra comprensione delle pratiche e delle convinzioni religiose. Il libro è diviso in due parti, ognuna delle quali offre una visione unica dell'intersezione tra danza, scrittura e religione. La prima parte: La disattenzione della danza nella religione inizia studiando perché gli scienziati della religione hanno storicamente ignorato la danza e il movimento fisico ritmico a favore delle espressioni testuali della vita religiosa. Essa segue questo rapporto con i momenti formativi del campo in cui i filosofi si affidavano alla lettera per mediare tra lo studio della religione e la teologia. Grazie alla stretta lettura di Decart, Kant, Schleyermacher, Hegel e Kierkegor, LaMote rivela come questo orientamento alla scrittura abbia costituito il campo della religione e limitato la nostra comprensione del ruolo della danza nell'espressione religiosa. Parte due: La rinascita del lavoro di Gherardus van der w Nella seconda parte del libro di LaMothe si basa sul lavoro del teologo, fenomenologo e storico religioso Gherardus van der w, per esplorare come la danza può essere un mezzo di esperienza e espressione religiosa.
The Plot of Between Dancing and Writing: The Practice of Religious Studies Between Dancing and Writing: The Practice of Religious Studies ist ein Buch, das zum Nachdenken über die Beziehung zwischen Technologie, Religion und menschlicher Existenz anregt. Der Autor, LaMothe, untersucht die Bedeutung der Erforschung der Evolution der Technologie und ihrer Auswirkungen auf unser Verständnis religiöser Praktiken und Überzeugungen. Das Buch gliedert sich in zwei Teile, die jeweils einen einzigartigen Blick auf die Schnittstelle von Tanz, Schreiben und Religionswissenschaft bieten. Teil eins: Die Vernachlässigung des Tanzes in der Religionswissenschaft LaMothe beginnt mit der Untersuchung, warum Religionswissenschaftler den Tanz und die rhythmische Körperbewegung historisch zugunsten der Textausdrücke des religiösen bens ignoriert haben. Diese Haltung spürt sie prägenden Momenten in einem Feld nach, in dem Philosophen auf das Schreiben angewiesen waren, um zwischen dem Studium der Religion und der Theologie zu vermitteln. Durch enge sungen von Descartes, Kant, Schleiermacher, Hegel und Kierkegaard zeigt LaMote, wie diese Schreiborientierung das Feld der Religionswissenschaft prägte und unser Verständnis der Rolle des Tanzes im religiösen Ausdruck einschränkte. Teil zwei: Die Wiederbelebung des Werks von Gerardus van der euw Im zweiten Teil des Buches greift LaMote die Arbeit des Theologen, Phänomenologen und Religionshistorikers Gerardus van der euw auf, um zu untersuchen, wie Tanz als Mittel religiöser Erfahrung und Ausdruck dienen kann.
Fabuła między tańcem a pisaniem: Praktyka studiów religijnych między tańcem a pisaniem: Praktyka studiów religijnych - książka, która sprawia, że myślisz o relacji między technologią, religią i ludzkim istnieniem. Autor, LaMothe, bada znaczenie badania ewolucji technologii i jej wpływu na nasze zrozumienie praktyk i przekonań religijnych. Książka podzielona jest na dwie części, z których każda oferuje wyjątkową perspektywę na skrzyżowanie tańca, pisania i studiów religijnych. Część pierwsza: Zaniedbanie tańca w studiach religijnych LaMothe zaczyna się od zbadania, dlaczego uczeni w studiach religijnych historycznie ignorowali taniec i rytmiczny ruch cielesny na rzecz tekstowych wyrażeń życia religijnego. Śledzi ten związek do momentów formacyjnych w dziedzinie, w której filozofowie polegali na pisaniu, aby pośredniczyć między badaniem religii i teologii. Dzięki bliskim odczytom Kartezjusza, Kanta, Schleiermachera, Hegla i Kierkegaarda, LaMote ujawnia, jak skupienie się na pisaniu ukształtowało dziedzinę studiów religijnych i ograniczyło nasze zrozumienie roli tańca w ekspresji religijnej. Część druga: Odrodzenie dzieła Gerardusa van der u W drugiej części książki LaMote czerpie z pracy teologa, fenomenologa i historyka religii Gerardusa van der u, aby zbadać, jak taniec może służyć jako narzędzie do doświadczenia i ekspresji religijnej.
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Dans ve Yazma Arasında: Dans ve Yazma Arasındaki Dini Çalışmaların Uygulaması: Dini Çalışmaların Uygulaması - teknoloji, din ve insan varlığı arasındaki ilişki hakkında düşünmenizi sağlayan bir kitap. Yazar LaMothe, teknolojinin evrimini ve bunun dini uygulamalar ve inançlar konusundaki anlayışımız üzerindeki etkisini incelemenin önemini araştırıyor. Kitap, her biri dans, yazı ve dini çalışmaların kesişimi üzerine benzersiz bir bakış açısı sunan iki bölüme ayrılmıştır. Birinci Bölüm: Dini Çalışmalarda Dansı İhmal Etmek LaMothe, dini çalışmalardaki akademisyenlerin neden tarihsel olarak dans ve ritmik bedensel hareketleri dini yaşamın metinsel ifadeleri lehine görmezden geldiklerini inceleyerek başlar. Bu ilişkiyi, filozofların din ve teoloji çalışmaları arasında arabuluculuk yapmak için yazıya dayandığı bir alanda biçimlendirici anlara kadar izler. Descartes, Kant, Schleiermacher, Hegel ve Kierkegaard'ın yakın okumaları aracılığıyla LaMote, yazıya odaklanmanın dini çalışmalar alanını nasıl şekillendirdiğini ve dansın dini ifadedeki rolü konusundaki anlayışımızı sınırlandırdığını ortaya koyuyor. İkinci Bölüm: Gerardus van der u'nun Eserinin Yeniden Doğuşu LaMote, kitabın ikinci bölümünde ilahiyatçı, fenomenolog ve din tarihçisi Gerardus van der u'nun çalışmalarından yararlanarak dansın dini deneyim ve ifade için nasıl bir araç olarak kullanılabileceğini araştırıyor.
مؤامرة بين الرقص والكتابة: ممارسة الدراسات الدينية بين الرقص والكتابة: ممارسة الدراسات الدينية - كتاب يجعلك تفكر في العلاقة بين التكنولوجيا والدين والوجود البشري. يستكشف المؤلف، LaMothe، أهمية دراسة تطور التكنولوجيا وتأثيرها على فهمنا للممارسات والمعتقدات الدينية. ينقسم الكتاب إلى قسمين، يقدم كل منهما منظورًا فريدًا لتقاطع الرقص والكتابة والدراسات الدينية. الجزء الأول: إهمال الرقص في الدراسات الدينية يبدأ LaMothe بفحص سبب تجاهل العلماء في الدراسات الدينية تاريخيًا للرقص والحركة الجسدية الإيقاعية لصالح التعبيرات النصية للحياة الدينية. تتتبع هذه العلاقة إلى اللحظات التكوينية في مجال اعتمد فيه الفلاسفة على الكتابة للتوسط بين دراسة الدين واللاهوت. من خلال القراءات القريبة لديكارت وكانت وشلايرماخر وهيجل وكيركيغارد، يكشف لاموت كيف شكل هذا التركيز على الكتابة مجال الدراسات الدينية وقلل من فهمنا لدور الرقص في التعبير الديني. الجزء الثاني: إحياء عمل جيراردوس فان دير لو في الجزء الثاني من الكتاب، يعتمد LaMote على أعمال عالم اللاهوت وعالم الظواهر والمؤرخ الديني جيراردوس فان دير لو لاستكشاف كيف يمكن للرقص أن يكون وسيلة للتجربة الدينية والتعبير.
舞蹈與寫作之間的聯系:舞蹈與寫作之間的宗教研究:宗教研究之間的關系。作者LaMothe探討了研究技術演變及其對我們對宗教習俗和信仰理解的影響的重要性。這本書分為兩部分,每部分都提供了舞蹈,寫作和宗教研究的獨特見解。第一部分:LaMothe在宗教研究中對舞蹈的漠視首先研究了為什麼宗教研究學者歷來無視舞蹈和有節奏的身體運動,而傾向於宗教生活的文本表達。她將這種態度追溯到哲學家依靠寫作在宗教和神學研究之間進行調解的領域的形成性時刻。通過對笛卡爾,康德,施萊爾馬赫,黑格爾和基爾凱郭爾的近距離閱讀,拉莫特揭示了這種對寫作的關註如何塑造了宗教研究領域,並限制了我們對舞蹈在宗教表達中的作用的理解。第二部分:拉莫特(LaMote)的著作第二部分的Gerardus van der u的復興借鑒了神學家,現象學家和宗教歷史學家Gerardus van der u的著作,以研究舞蹈如何作為宗教體驗和表達的媒介。

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